H.H.第三世多杰羌佛中國畫作品：靈貓   “靈貓”這一幅畫創作於一九九一年，屬於第三世多杰羌佛創始的十六個畫派之一的“放發派”風格，除第三世多杰羌佛以外，在世界上找不到第二位藝術家能畫出這種神妙技法。平面里蘊含神韻奇蹟，任何人都無法用手筆複製成功，這種創作技法來於智慧境界，所以不是凡品書畫。其配鏡寥寥幾筆，金石書卷味全在其中，神形兼備，是真正達到惜墨如金，是絕對的書畫頂峰藝術。此畫珍貴無比，第三世多杰羌佛已將此類神韻畫封筆，沒有再畫這類無上經作了，因此，這已成為絕版藝術。 小尺幅的“靈貓”限量一百張複製件之一曾以二十五萬三千美元拍出，以每英尺計算，“靈貓”是世界上複製品畫的最高價，所以說，世界上最著名的頂級大師的複製品畫也沒有賣到第三世多杰羌佛的複製品畫的價位。   Cat of Unique Charm One of the most superb paintings of H.H. Dorje Chang Buddha III The painting "Cat of Unique Charm" was created in 1991 and belongs to the "Fangfa School," one of the 16 schools of painting founded by H.H. Dorje Chang Buddha III. Except H.H. Dorje Chang Buddha III, no one else can paint using this marvellous technique. Magical appeal underlies this painting. This creative technique comes from a state of wisdom.That is why it is not an ordinary painting. The accompanying scene near the cat was painted with only a small...

H.H.第三世多杰羌佛中國畫作品：雲水秋歌   作品描述： 這是一幅山水畫作品，圖中有雲霧繚繞的山群、有清澈的河水、有湍流的瀑布、有冰涼的山泉、有樸素的農舍、有淳樸的漁夫正在打魚的畫面，還有樸實的農民上山砍柴的場景。 H.H.第三世多杰羌佛通過一幅作品，就把大自然的原始狀態以及百姓的生活百態展現得淋漓盡致。從這幅作品中，我們可以感受到淳樸、和諧、寧靜的氛圍。生活在都市的白領一族，不妨放慢腳步，去感受一下最淳樸、舒適的生活。   轉載自：藝術寰宇https://www.facebook.com/%E8%97%9D%E8%A1%93%E5%AF%B0%E5%AE%87-301641313371153/?fref=nf  

H.H.第三世多杰羌佛中國畫作品：版納風情   摘自：義雲高大師畫集 作品描述： 這幅作品描繪的是中國雲南西雙版納獨特的異域風情。從作品中我們可以看到，在獨特的熱帶雨林自然景觀襯托下，版納的女性身著雲南特色的民族服飾在岸邊梳洗，形成一道美麗的風景線。這幅作品的點睛之筆在于，佛陀將距離與角度把控的十分精準，加上祂高超的畫技，將熱帶雨林的景象表現得惟妙惟肖。小河中婦女的倒影、樹木的倒影，以及空氣中的朦朧感，將熱帶雨林的特色完完整整的呈現在我們面前，讓人有一種身臨其境的感覺。在欣賞這幅作品的同時，我們能感受到西雙版納高溫多雨的特點，以及版納人民熱情好客、淳樸開朗的性格特點。   轉載自：藝術寰宇https://www.facebook.com/%E8%97%9D%E8%A1%93%E5%AF%B0%E5%AE%87-301641313371153/?fref=nf

H.H.第三世多杰羌佛中國畫作品：梅林一角 Artist: H.H. Dorje Chang Buddha III H.H.第三世多杰羌佛 摘自：International Art Museum of America 作品描述： Yellow plum blossoms bloom in winter and are generally used during Chinese New Year celebrations as a symbol of great auspiciousness. The artist’s skillful wielding of the brush created a painting that expresses and even surpasses the beauty of a real plum blossom grove. This work of art is even more enchanting than a true plum blossom grove and provides a refined aesthetic enjoyment that brings comfort to the mind. 黃色的梅花在冬季盛開，通常在慶祝中國的農曆新年時，它被人們視為吉祥的象征。在藝術家巧妙的畫筆下，這幅作品甚至比真正的梅林還要漂亮，不但給人帶來了視覺上的享受，而且還給人一種心靈上的安慰。   轉載自：藝術寰宇https://www.facebook.com/%E8%97%9D%E8%A1%93%E5%AF%B0%E5%AE%87-301641313371153/?fref=nf  

H.H.第三世多杰羌佛中國畫作品：雲山竹樓 Artist: H.H. Dorje Chang Buddha III H.H.第三世多杰羌佛 Style: Chouxiang Yunwei 抽象韻味派 摘自：International Art Museum of America 作品描述： This painting in watery ink features a gracefully charming scene in which the real and surreal coexist. It seems as if clouds and mist appear and vanish suddenly. Multi-level structures and a pavilion appear faintly in the mountain valley. This is a wondrous place of mountains inhabited by immortals and heavenly grass as beautiful as jade. Superior beings who have transcended this world reside in the lofty thatched houses made of bamboo. Impressively flowing, vibrant and ethereal, the ink seems to float...

H.H.第三世多杰羌佛中國畫作品：下江搖渡   Artist: H.H. Dorje Chang Buddha III H.H.第三世多杰羌佛 Style: Fanjuan（繁卷派） 摘自：International Art Museum of America 作品描述： “Ferrying the Xia River” is an ink-and-wash painting created in 1993. Although black ink is used extensively, the brush strokes contain the essence of the art of painting and calligraphy. Even though the only color used is black from top to bottom, the aspects of farness and nearness are clearly distinguishable. A top artist, Mr. Huang Binhong, said “Black ink is all around, as extensive as heaven and earth. The paper of a painting can unfurl thousands of mountains. Created with ease in...

H.H.第三世多杰羌佛中國畫作品：筆上之功     Artist: H.H. Dorje Chang Buddha III H.H.第三世多杰羌佛 Style: Fanpu 返璞派 摘自：International Art Museum of America 作品描述： This painting was created in 1982 during the time a film was being shot in Sanhe, Sichuan. It is an on-the-spot painting of a real-life scene. Ink was used sparingly as if it were as precious as gold, yet the artist’s skills are demonstrated. At that time, the News Film Studio of China was shooting a documentary exclusively about the artist Wan Ko Yee. The cameramen and others present saw a wild duck alight upon a withered tree trunk. Wan Ko...

H.H.第三世多杰羌佛中國畫作品：宿士鬧春 Artist: H.H. Dorje Chang Buddha III H.H.第三世多杰羌佛 Style: Fanpu 返璞派 Wielding the brush freely and effortlessly, the artist used only a small number of brush strokes to depict this relaxed and delightful motif. Spring is in the air, the sun shines gently, the breezes are pleasant, and branches are sprouting leaves. A group of sparrows perched on branches are enjoying themselves to their hearts’ content. As a poem states.” On a sunny day with light wind, nobody has any cares. This enrapturing scene of nature is for all to enjoy, yet only birds are having fun playing about.” These...

H.H.第三世多杰羌佛中國畫作品：一塵不染 Artist: H.H. Dorje Chang Buddha III H.H.第三世多杰羌佛 Style: Fanpu (返璞派) With only a small number of strokes, a comforting and natural appeal appears vividly on paper. The style is neither overly cautious nor affected. A scholarly tone and an air of stone seals are revealed in the brushwork. This is a work of art with an attractiveness that stems from mature skills. The title “Immaculate” means that this painting is free of any trace of the mundane. It is in the “Fanpu” style. H.H.第三世多杰羌佛只用了寥寥幾筆，就能輕鬆地將這幅畫自然、生動地呈現在紙上。這種風格收放自如。從筆鋒中可以看出這幅作品既有學術派的風格又有其獨特的韻味。成熟、高超的繪畫技巧締造了這幅極具吸引力的藝術作品。“一塵不染”即代表不被世俗所影響，返璞歸真之意境。這種風格叫做“返璞派”。   The “Fanpu” style These paintings express the artistic conception of returning to original purity...

H.H.第三世多杰羌佛中國畫作品：萬年寺 Artist: H.H. Dorje Chang Buddha III（H.H.第三世多杰羌佛） Style: Xiangtong （鄉童派） This painting uses calligraphic techniques to express a natural appeal. The rural ancient temple is depicted with utmost simplicity, as if scribbled by the inexperienced and innocent hand of a child. In reality, however, this work embodies mature artistry. This work belongs to the “Xiangtong” style of painting. 這幅作品運用了書法的技巧還原了大自然的魅力。H.H.第三世多杰羌佛用了極其簡單的視角，簡單到就如一個完全沒有繪畫經驗的孩童一般，詮釋了這座古老的鄉間寺廟，然而事實上，這種繪畫視角確是繪畫中最高的境界。這種風格就是“鄉童派”。   The “Xiangtong” style There is a rustic and childlike charm to these paintings. With the mindset of an innocent child, the artist casually wields his brush without being led by pre-conceived notions, applying a seasoned adeptness that conveys an impression...